The latest contemporary music phenomenon is Dutch pianist Joep Beving. For fun, Beving uploaded some of his music to Spotify. Since doing so his compositions have been streamed an astonishing 85 million times. The music probably only just qualifies for the classical contemporary label, Beving himself describing it as being more for a pop audience: “It’s chill-out, easy listening … mood-type music for people to calm down and feel comforted, like being in a bubble, protected.” You can make up your own mind here:
Wergo seem to have been subsumed into Schott and deprived of what used to be a rather excellent website. The best way to find their new releases now seems to be taking a look at their Facebook page. Happily, these still seem to be coming thick and fast, with four albums worth considering this month: a disk of unusual duet pairings by Keiko Harada; music for voice and instruments by Tom Sora; works for soprano by Wolfgang Rihm, Aribert Reimann and Hans Werner Henze; and chamber music by Ying Wang.
As Leonard Bernstein’s centenary (1918-2018) approaches, Bridge records has begun its celebrations early with a new recording of the composer’s complete piano music played by Andre Cooperstock. They have also released a programme of works for large chamber ensemble and wind ensemble by Gregory Mertl; and Rites of Passage, a disk of chamber music by Martin Boykan.
Bracing Change, a new album featuring of string quartets by Simon Holt, Donnacha Dennehy and Anthony Gilbert marks the beginning of a new project from NMC featuring new string commissions. Also on NMC is a programme of music by Gavin Higgins, Mark Bowden, Cheryl Frances-Hoad, Kate Whitley and Quinta (stage name of composer Katherine Mann). All are past Rambert Fellows, the works here being played by the Rambert Orchestra.
Nimbus has released a mixed programme of works by George Benjamin, including Flight, a work written in his late teens for solo flute. A DVD of a 2014 performance of Carlisle Floyd’s opera Susannah has just been made available over at Naxos. Also, if you are unimpressed by Joep Beving’s piano music, check out From My Beloved Country, a programme of South African piano music played by Renée Reznek. It’s proper, stimulating contemporary music, just as capable of being enjoyed by a wide range of listeners.