2015 is a Venice Biennale year, the 10 day music programme running from October 2nd–11th. In total there will be 18 concerts presenting 31 new works, the main composers featured being Pierre Boulez, Georges Aperghis, Helmut Lachenman and Giuseppe Sinopoli.
In his 90th birthday year Pierre Boulez will be the subject of a special tribute with a performance of Messagesquisse prefaced by 10 pieces written in homage to him on 11th. Machinations for 4 female voices voices, electronics and video by Georges Aperghis, winner of the Golden Lion for Lifetime Achievement for 2015, will be performed on 10th. Helmut Lachenmann, 80 years old this year and the winner of the Golden Lion for Lifetime Achievement in 2008, will see performances of Grido for String Quartet, Trio Fluido for clarinet, viola and percussion and Streichtrio I for violin, viola, cello. Souvenir à la memoire for 2 sopranos and mezzo-soprano by Giuseppe Sinopoli will be performed on the final night.
Other composers represented are: Milica Djordjevic, Nina Šenk, Pasquale Corrado, Federico Gardella, Silvia Borzelli, Lara Morciano, Dai Fujikura, Marcin Stanczyk, Luca Antignani, Filippo Zapponi, Benoît Chantry, Aureliano Cattaneo, George Benjamin, Fabio Nieder, Vladimir Tarnopolski, Fabio Cifariello Ciardi, Dieter Ammann, Matteo D’Amico.
In the UK the Aberdeenshire Sound Festival runs from 22nd October to 9th November. The programme is extremely wide-ranging. It kicks off with Philip Cooke’s By Reason of Darkness, a setting of sections of Job, verse 37 scored for community choir and bells at 6pm on 22nd. The rest of the first week focuses on cross-art forms, including art and music installations in partnership with Gray’s School of Art; Sandglass with choreography by Lucy Boyes and music by Thomas Butler; and an audiovisual collaboration Requiem for Edward Snowdon by Matthew Collings and Jules Rawlinson. The second week focuses on contemporary music performances with pianist Ian Pace and Ensemble Alternance from France. There will also be works for organ as part of a part of a collaboration with French festival Musiques Démesurées, including a new work by Jean-Luc Guionnet. There’s much more besides, including new operas, a series of new works commissioned to partner each of Beethoven’s Violin Sonatas and new joint commission by six Scottish composers.
On 3rd October at Barbican, London there is a BBCSO Total Immersion Day exploring the music of Henryk Górecki. This begins with an introduction by Polish music expert, Professor Adrian Thomas at 11am, followed by performances of Górecki’s String Quartet No. 1 and 2 at 11, a film documentary at 3pm, a concert of his vocal music given by the BBC Singers at 5.30pm, and a final evening concert of orchestral and vocal music at 7.30pm.
Outside the two festivals other premieres this month include the BBCSO playing Richard Ayres’ No. 48 at Barbican on 8th; Laurence Crane’s Chamber Symphony No. 2 The Australian and Marisol Jiménez’s XLIII – MEMORIAM VIVIRE at St. John’s, Smith Square on 10th; the UK premiere of John Adams Scheherazade.2 at the Barbican on 29th; and Lotta Wennäkoski’s Verdigris given by the Scottish Chamber Orchestra at Queen’s Hall Edinburgh, also on 29th. The Swansea Festival, finally, runs from 2nd—17th. There’s not a whole lot in the way of contemporary music, but a major highlight is the chance to hear the five-star rated ballet Cinderalla with Ballet Cymru and music by Jack White.