Valery Gergiev and the Mariinsky Opera Orchestra gave a concert at Palmyra yesterday. The recapture of the ancients ruins by Russian-backed troops was one of the few pieces of good news to come out of Syria recently.
As I’ve written elsewhere, music has always been a target of Daesh (also known as IS), so a concert at Palmyra could have been a wonderful opportunity for bridge-building and reconciliation. Sadly the musicians and most of the audience were Russian, the solo cellist was Sergei Roldugin, a close friend of Putin (and who, in the Panama Papers, was recently revealed to possess many millions in offshore holdings) and the Russian President himself appeared via video link from Moscow to hail the operation to liberate Palmyra. Even Gergiev, a conductor who would anyway do better to spread himself less thinly, is a vocal supporter of Putin. The concert therefore became nothing more than a PR exercise, with music as sadly mistreated by those who allow it as by those who would
Apple Music Redesign
It has just been leaked that Apple Music will be getting a redesign, with full details being revealed at an Apple Keynote at WWDC on June 13th. I reviewed the new service in July 2015, comparing its catalogue and system for organising tracks favourably with Spotify. I still think that, for collectors, Apple Music, with its superior organisational tools, is a great option. The criticisms of its interface are, however, justified. The ridiculous search bar, where you are invited to look in either your own library or Apple music, is a constant frustration. Often I can’t find what I’m looking for because I’m inadvertently looking in the wrong place. Whenever I need something quickly I always fire up Spotify.
At least on mobile devices things work relatively smoothly. In iTunes on a computer the experience is much less peachy. There are recent horror stories of it deleting users’ music libraries (though read this rebuttal) and the program certainly does too much: it hosts the iTunes store, device syncronisation, videos, podcasts, audio books, users’ music libraries and Apple Music. It is a bewildering experience, even once you are used to it. Unsurprisingly, given its baroque complexity, neither does it work very reliably. Often I click on a track or search for something obvious and nothing happens. It’s time Apple did what it does on iOS – divide iTunes so that each part has its own app: videos, podcasts, iTunes Store, Apple Music.
This is a Voice (Wellcome Collection, London, 14th April–31st July)
I missed this fantastic-looking exhibition when doing my events roundups in March and April but, thankfully, there’s still plenty of time to pay a visit. As the name of the show suggests, the exhibition examines the human voice in a kind of ‘acoustic journey’ with ‘works by artists and vocalists, punctuated by paintings, manuscripts, medical illustrations and ethnographic objects.’ To get a more detailed flavour of the exhibits you can peruse the Gallery Guide.
One of the most intriguing exhibits, Matthew Herbert’s ‘Chorus’, was featured on BBC Radio 3’s In Tune (see the podcast from 14th April). It is a recording booth in which visitors are invited to sing a single note, which is then added to an ever-growing chorus. The effect is compelling and not a little unnerving, rather in the manner of Ligetian micropolyphony. There is also an online version which, if you can’t make the exhibition, I thoroughly recommend. It allows you to isolate voices by the week in which they were recorded and by seemingly random options such as ‘outside temperature’ and ‘local traffic disruptions when the voices were recorded.’ It’s a lot of fun.
And on BBC iPlayer…
If, like me, you missed the BBCSO Dutilleux Total Immersion Day you can catch up with the final concert on BBC iPlayer. It features a good cross-section of his output: his transitional Symphony No.1; Métaboles, which marked the emergence of the composer’s mature style; the sublime cello concerto Tout un monde lointain…, originally written for Rostropovich; and Dutilleux’s moving response to the the suffering of the Jews during the War, The Shadows of Time. The recording is available until the end of this month.