CD of the Month: Guto Puw Reservoirs
‘There are places in Wales I don't go:Reservoirs that are the subconsciousOf a people, troubled far downWith gravestones, chapels, villages even…’ Guto Puw is in many respects the quintessential Welsh…
>reinhören
Over the last week I have watched with fascination this odd-looking structure taking form outside the Paul Sacher Stiftung in Basel: Today it finally became clear what it was all…
May Concert Diary
Harrison Birtwistle turns 80 in July, with birthday concerts starting in earnest this month. One of the best places to enjoy the celebrations is at the Barbican, London. There will be a concert…
John Palmer Interview
John Palmer Christian Morris talks to John Palmer, a composer of both acoustic and electroacoustic music whose wide influences include Jungian psychology, Buddhism and mythology. Tell us something about your…
Penderecki Works and April CD Roundup
Penderecki Works: Polymorphia, Analasis, Fluorescenes, Threnody to the Victims of Hiroshima, Intermezzo, Kosmogonia (Antoni Wit) Naxos NAC-LP002-03 Written in 1959/60, Anaklasis, for 42 string instruments and percussion was the work that established…
April Concert Highlights
It’s been a busy couple of weeks: leaving one of my jobs, moving house and preparing to leave the country. I shall be spending a month in the lovely city…
NMC 25th Birthday and March CD Releases
NMC, the label that has done more than most to nurture new music in the UK, is celebrating its 25th anniversary with a plethora of new releases and projects. Building…
March Concert Diary
The London Ear Festival of Contemporary Music, run by composers Gwyn Pritchard and Andrea Cavallari, is now in its second year. Over four days, from 27th–30th March, there will be nine…
February CD Roundup
Electrifying Oboe on Métier is a disc of experimental works for oboe (and sister instruments) by Roger Redgate, David Gorton, Christopher Fox, Edwin Roxburgh, Michael Young and Matthew Wright. Collaboration is…
Alasdair Nicolson Interview
Alasdair Nicolson Christian Morris talks to Alasdair Nicolson, composer, Artistic Director of the St. Magnus International Festival and Director of its Composers' Course. Tell us a little about the origins…
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