September CD Roundup: Lawo and Navona Records
As a teenager I would spend many a happy hour with my head buried in the latest Deutsche Grammophon, Decca or Chandos catalogue, lusting after shiny CDs and the pleasures…
As a teenager I would spend many a happy hour with my head buried in the latest Deutsche Grammophon, Decca or Chandos catalogue, lusting after shiny CDs and the pleasures…
Recently giving evidence to the UK Government’s Culture, Media and Sport Select Committee, George Vass, Chair of the British Arts Festival Association, and Mark Pemberton, Director of the Association of…
Chaya Czernowin was born and raised in Israel but has subsequently lived in Germany, Austria, Japan and now the US. Given such a peripatetic lifestyle it is, perhaps, unsurprising that…
It seems that a contingent of Remainers plans to use the Last Night of the Proms to wave a large number of EU flags. This has provoked angry interventions from Leave…
Two leading arts figures have this week quit the UK in the wake of the decision to leave the European Union. On 4th September Nicholas Mansfield, the British director of…
Norman Lebrecht recently drew attention to comments made by Jacques Attali: Je crois personnellement que la musique atonale est une impasse, elle ne correspond pas à la nature même de l’audition, elle…
The Proms continue until 10th September, though with just one more world premiere to look forward to: Tom Harrold’s Raze on the Last Night. I am a little behind on my listening,…
It was fascinating reading the responses of UK composers to Brexit on 16th July. So much so that I was inspired to write down my own thoughts in a post on…
Like many Remainers I tend to latch on to articles that suggest that the whole ugly Brexit business might go away. There has been no shortage of these: the possibility…
No, not a follow-up to my Brexit post—though I could easily wax lyrical about its advantages in that context—but, rather, a recent CD from Norwegian record label Lawo. Perpetuum Trompetuum is a…