Four visual artists and three composers have just been announced as recipients of the £50,000 Paul Hamlyn Foundation Award. ‘Awards for Artists was launched in 1994 and are the largest individual awards made to visual artists and composers in the UK. At £50,000 per award and with no strings attached, they are designed to give artists the time and freedom to develop their creative ideas.’
The three composers are:
Daniel Kidane (born 1986) is a London-based concert composer whose works range from solo pieces to large orchestral works. Often drawing from experiences from his own background and upbringing, Kidane’s compositions explore social narratives, especially multilingual interactions in everyday life. Among Kidane’s most notable compositions are Foreign Tongues (2015), which re-envisaged the setup of the string quartet and Pulsing (2016), which explored the idea of migration through its energetic instrumental passages and vocal interludes. Kidane’s compositions have been premiered by several notable companies including the Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra and the BBC Philharmonic Orchestra. He has also completed commissioned work for the Orgelbüchlein Project, which was premiered at the Tower of London Chapel.
Heather Leigh (born 1976) is a West Virginian, Texas raised composer and singer currently based in Glasgow. She is renowned for her spontaneous composition and for redefining the pedal steel guitar, taking the instrument beyond the bounds of the country and western genre. As a solo artist, she explores themes relating to the representation of women, sexuality and vulnerability. Leigh’s 2015 album I Abused Animal (Ideologic Organ/Editions Mego) received wide international acclaim, showcasing her talent as a composer, songwriter and vocalist, as well as her pedal steel guitar innovations. This album built upon previous successful releases including Nightingale (Golden Lab Records) and Devil if You Can Hear Me (Not Not Fun). She has an extensive catalogue of collaborative work, which in recent years has focused on her duo with German saxophonist Peter Brötzmann. She has toured widely in the US, Europe, Australia and New Zealand.
Ailís Ní Ríain
Ailís Ní Ríain (born 1974) is a Cork born contemporary classical composer and stage writer. Currently based in Yorkshire she is a regular collaborator with artists in other artforms, her artistic interests are diverse and combined with an unwavering desire to push and develop her artistic practice through each new project or commission. Working across several media, including small-scale acoustic music, installations, mini-opera and music-theatre, her work uses a multi-disciplined approach to challenge, provoke and engage. Ní Ríain’s compositions focus on strong visual and narrative ideas and building connections with new and diverse audiences. Among Ní Ríain’s most recent compositions was Skloniŝte (2015), a solo accordion and video homage to the people who survived the Siege of Sarajevo 1992-1996. The Irish Times described the piece as ‘truly evok[ing] a strong response.’ She has also completed notable commissions for the Royal Irish Academy of Music, The Bronte Society and Feelgood Productions with new commissions lined up for Spitalfields Festival, Temenos Ensemble and Manchester Opera Project. Her work has been performed in the US and across Europe. Alongside her work as a composer, Ní Ríainis a published stage writer with plays produced in the UK, Ireland, Germany and Sweden.