July sees the beginning of two long summer festivals. The BBC Proms runs from 17th July to 12th September, with the first night world première honours going to Gary Carpenter’s Dadaville. I’ve counted a total of 29 other premières of one description or another. The proms website, as ever, doesn’t do a very good job of highlighting these, so I’ll do a separate CT guide towards the end of this month.
The Salzburg Festival starts the day after the Proms, on 18th, and continues until 30th August. The focus is mainstream classical repertoire, though the nine concert Salzburg Contemporary series will this year focus on the works of Pierre Boulez, including Le Marteau sans maître, his three piano sonatas together with the original version of Notations, and Répons. There are also a substantial number of works by other contemporary composers as part of these concerts. Performers – including Pierre-Laurent Aimard, Ensemble Intercontemporain and JACK Quartet –are all top drawer. This mini-festival doesn’t actually kick off until 30th, so there is plenty of time to plan a visit.
There are several interesting music events as part of the biennial Manchester Festival (2nd–19th). Damon Albarn’s new musical wonder.land, inspired by Alice in Wonderland, previews from 29th June–1st July with performances running from 2nd–12th July. Actually a play, The Skrikerby Caryl Churchill (performances throughout the festival) features incidental music by Nico Muhly and Anthony. Mark Simpson’s new work The Immortal explores ‘the obsession with death that lies at the heart of human experience.’ Written for orchestra, choir and solo baritone it will be performed alongside Mozart’s Requiem on 4th. Running from 9th–19th will be the fruits of a creative partnership between Arvo Pärt and artist Gerhard Richter (whose striking works I saw, and enjoyed, in a large exhibition in the Beyeler Foundation, Basel in 2014). A suite of four new works by Richter, Ashes (2015) and his Doppelgrau (2014), will be presented with Pärt’s Drei Hirtenkinder aus Fátima in the newly renovated landscape gallery of the Whitworth. The music of Pärt will also feature in a separate concert on 12th.
The Bregenz Festival (22nd July–23rd August) is almost as long as the Salzburg Festival, the repertoire more mainstream; the festival is dominated by performance of Turandot, The Tales of Hoffmann and Cosi fan tutte. The one exception, however, is Peter Eötvös’s opera Golden Dragon which will receive performances on 19th and 21st August. There is, similarly, contemporary opera amongst more conventional fare at the Festival d’Aix-en-Provence, namely a performance Jonathan Dove’s ‘opera for all ages’ The Monster in the Maze on 8th and 9th July and Ana Sokolović’s Svadba on various dates from 3rd–16th.
Some other festivals worth checking out, especially if you’re nearby:
Cheltenham Music Festival (30th June–11th July): Perhaps not so much contemporary music on offer as in previous years, but a rummage around will reveal some offerings in the 2nd, 7th, 12th, 15th, 18th, 21st, 31st and 33rd concerts (each concert is prefixed by an ‘M’ in the website concert listing i.e. M2, M7, M12 etc.).
Schleswig-Holstein Music Festival (11th July–30th August): Another long summer festival, this year focusing on the music of Tchaikovsky.
Kuhmo Chamber Music Festival (Finland, 12th–25th): Quite a range of repertoire on offer, including Varèse, Messiaen, Kryštof Mařatka, Jacob ter Veldhuis, Sofia Gubaidulina, Berg, Britten and Stravinsky.